{"id":995,"date":"2023-10-18T17:07:00","date_gmt":"2023-10-18T15:07:00","guid":{"rendered":"https:\/\/michaeldoerner.de\/?p=995"},"modified":"2024-08-27T18:45:24","modified_gmt":"2024-08-27T16:45:24","slug":"korea-germany-contemporary-art-exchange-exhibition","status":"publish","type":"post","link":"https:\/\/michaeldoerner.de\/en\/arbeiten\/installationen\/korea-germany-contemporary-art-exchange-exhibition\/","title":{"rendered":"Korea-Germany Contemporary Art Exchange Exhibition"},"content":{"rendered":"
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Meeting with Correspondence<\/strong><\/em><\/p>\n\n\n\n

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Changwon Seongsan Art Hall, Changwon, Republic of Korea<\/strong><\/p>\n\n\n\n

<\/strong>18. Oktober 2023 bis 23. Oktober 2023<\/p>\n\n\n\n

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Flyer der Ausstellung<\/figcaption><\/figure><\/div><\/div>\n<\/div>\n\n\n\n

\u00dcberfluss<\/strong><\/p>\n\n\n\n

Seit vielen Jahren fotografiert Michael D\u00f6rner auf seinen Reisen sich \u00fcberf\u00fcllende M\u00fclleimer, Abfallbeh\u00e4lter oder auf der Stra\u00dfe abgelegte M\u00fclls\u00e4cke. Wie stille Zeugen einer sich ihrem Handeln nicht mehr bewussten Gesellschaft, sind diese Fotos Abbildungen von unfreiwilligen Skulpturen im \u00f6ffentlichen Raum. Der Abfall, den die Menschen produzieren, wird in der Regel m\u00f6glichst schnell aus dem Blickfeld geschafft und landet auf Deponien oder Verbrennungsanlagen. Die Unsichtbarkeit des M\u00fclls besch\u00e4ftigte auch Jean Baudrillard. Er argumentierte, dass die moderne Konsumgesellschaft von einem endlosen Zyklus des Konsums gepr\u00e4gt ist. Menschen kaufen und konsumieren st\u00e4ndig neue Produkte, die sehr schnell ihren Wert verlieren und zu M\u00fcll werden. Der \u00dcbergang von Ware zu M\u00fcll ist ein zentraler Aspekt der Konsumkultur. M\u00fcll kann als Symbol des \u00dcberflusses und der Verschwendung in der modernen Gesellschaft gesehen werden. <\/p>\n\n\n\n

In „Simulacra and Simulation“ argumentierte Baudrillard, dass die moderne Gesellschaft von Simulationen und Hyperrealit\u00e4t durchdrungen ist. Dies bedeutet, dass unsere Wahrnehmung von Realit\u00e4t oft von k\u00fcnstlichen, simulierten Darstellungen beeinflusst wird. In diesem Kontext kann M\u00fcll als eine Art „Hyperrealit\u00e4t“ betrachtet werden, der aber dennoch einen „realen“ Einfluss auf die Umwelt hat.<\/p>\n\n\n\n

F\u00fcr die Ausstellung in Changwon wird neben den Fotos auch der M\u00fcll zu sehen sein, der w\u00e4hrend eines Tages im gesamten Museum angefallen ist.<\/p>\n\n\n\n

Abundance<\/strong><\/p>\n\n\n\n

For many years, Michael D\u00f6rner has been photographing overflowing garbage cans, waste containers or garbage bags left on the street during his travels. Like silent witnesses to a society no longer aware of its actions, these photos are images of involuntary sculptures in public space. The waste that people produce, is usually removed from view as quickly as possible and ends up in landfills or incineration plants. Jean Baudrillard was also concerned with the invisibility of rubbish. He argued that modern consumer society is characterized by an endless cycle of consumption. People are constantly buying and consuming new products, which very quickly lose their value and end up in the trash. The transition from commodity to trash is a central aspect of consumer culture. Garbage can be seen as a symbol of excess and waste in modern society.<\/p>\n\n\n\n

In Simulacra and Simulation, Baudrillard argued that modern society is permeated with simulation and hyperreality. This means that our perception of reality is often influenced by artificial, simulated representations. In this context, waste can be viewed as an art \u201chyperreality\u201d that still has a \u201creal\u201d impact on the environment.<\/p>\n\n\n\n

For the exhibition in Changwon, in addition to the photos, the garbage that accumulated throughout the museum during one day, will also be on display.<\/p>\n\n\n\n

\uc0ac\uc9c4, \uc124\uce58, 2007\ub144\ubd80\ud130 \ud604\uc7ac\uae4c\uc9c0<\/strong><\/p>\n\n\n\n

\ub9c8\uc774\ud074 \ub3c4\ub974\ub108\ub294 \uc218\ub144 \ub3d9\uc548 \uc5ec\ud589\uc744 \ub2e4\ub2c8\uba70 \ub118\uccd0\ub098\ub294 \uc4f0\ub808\uae30\ud1b5, \uc4f0\ub808\uae30\ud1b5 \ub610\ub294 \uae38\uac70\ub9ac\uc5d0 \ubc84\ub824\uc9c4 \uc4f0\ub808\uae30\ubd09\ud22c\ub97c \ucd2c\uc601\ud574 \uc654\uc2b5\ub2c8\ub2e4. \ub354 \uc774\uc0c1 \uc790\uc2e0\uc758 \ud589\ub3d9\uc744 \uc778\uc2dd\ud558\uc9c0 \ubabb\ud558\ub294 \uc0ac\ud68c\uc758 \uce68\ubb35\ud558\ub294 \ubaa9\uaca9\uc790\ucc98\ub7fc, \uc774 \uc0ac\uc9c4\ub4e4\uc740 \uacf5\uacf5\uc7a5\uc18c\uc758 \ubb34\uc758\uc2dd\uc801\uc778 \uc870\ud615\ubb3c \uc774\ubbf8\uc9c0\uc785\ub2c8\ub2e4. \uc0ac\ub78c\ub4e4\uc774 \ubc30\ucd9c\ud558\ub294 \uc4f0\ub808\uae30\ub294 \ub300\uac1c \uac00\ub2a5\ud55c \ud55c \ube68\ub9ac\uc2dc\uc57c\uc5d0\uc11c \uc0ac\ub77c\uc838 \ub9e4\ub9bd\uc9c0\ub098 \uc18c\uac01\uc7a5\uc73c\ub85c \ud5a5\ud569\ub2c8\ub2e4. \uc7a5 \ubcf4\ub4dc\ub9ac\uc57c\ub974\ub3c4 \ud3d0\uae30\ubb3c\uc758 \ube44\uac00\uc2dc\uc131\uc5d0 \uc8fc\ubaa9\ud588\uc2b5\ub2c8\ub2e4. \uadf8\ub294 \ud604\ub300 \uc18c\ube44 \uc0ac\ud68c\ub294 \ub05d\uc5c6\ub294 \uc18c\ube44\uc758 \uc21c\ud658\uc774 \ud2b9\uc9d5\uc774\ub77c\uace0 \uc8fc\uc7a5\ud588\uc2b5\ub2c8\ub2e4. \uc0ac\ub78c\ub4e4\uc740 \ub04a\uc784\uc5c6\uc774 \uc0c8\ub85c\uc6b4 \uc81c\ud488\uc744 \uad6c\ub9e4\ud558\uace0 \uc18c\ube44\ud558\ub294\ub370, \uc774 \uc81c\ud488\uc740 \uae08\ubc29 \uac00\uce58\ub97c \uc783\uace0 \uc4f0\ub808\uae30\uac00 \ub429\ub2c8\ub2e4. \uc0c1\ud488\uc5d0\uc11c \uc4f0\ub808\uae30\ub85c\uc758 \uc804\ud658\uc740 \uc18c\ube44 \ubb38\ud654\uc758 \ud575\uc2ec\uc801\uc778 \uce21\uba74\uc785\ub2c8\ub2e4. \uc4f0\ub808\uae30\ub294 \ud604\ub300 \uc0ac\ud68c\uc5d0\uc11c \ud48d\uc694\uc640 \ub0ad\ube44\uc758 \uc0c1\uc9d5\uc73c\ub85c \ubcfc \uc218 \uc788\uc2b5\ub2c8\ub2e4. <\/p>\n\n\n

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\u00dcberfluss,<\/strong> Installationsansicht, Changwon Art Hall, 2023<\/figcaption><\/figure><\/div>\n\n
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\u00dcberfluss,<\/strong> Installationsansicht, Changwon Art Hall, 2023<\/figcaption><\/figure><\/div><\/div>\n<\/div>\n\n\n\n

Participation – \u201eYou finish it\u201c<\/strong><\/p>\n\n\n\n

Serie von DIN A3 Bl\u00e4ttern, Lack auf Papier 2020-21<\/p>\n\n\n\n

Parallel zu den Serien Emotionen I bis III, entstanden hunderte von Einzelbl\u00e4ttern im Format DINA3. Wie auch bei den Zeichnungen der Serien Emotionen, wird das wei\u00dfe unbeschrieben Blatt zun\u00e4chst mit einer Lackfarbschicht deckend bestrichen. Im zweiten oder manchmal auch dritten Durchgang werden, einer spontanen Eingebung folgend, Linien, Fl\u00e4chen oder Schlieren mit dem Pinsel aufgetragen. Auch wenn es vielleicht nicht immer gelingt, so wird zumindest versucht, das Blatt in einen Schwebezustand zwischen fertig und unvollendet zu bringen. Dieser Zustand kann, muss aber nicht andere dazu bringen, das Bild weiter zu bearbeiten. Die Partizipation beginnt schon bei der Entscheidung, die Zeichnung im Urzustand zu lassen oder sie zu ver\u00e4ndern. Das, was den Rezipienten in den meisten F\u00e4llen der Kunstbetrachtung niemals erlaubt ist, wird in diesen Arbeiten zur Option, die auch bis zur Vernichtung oder Ausl\u00f6schung f\u00fchren k\u00f6nnte.  <\/p>\n\n\n\n

Participation – \u201eYou finish it\u201c<\/strong><\/p>\n\n\n\n

Series of DIN A3 sheets, varnish on paper 2020-21<\/p>\n\n\n\n

In parallel to the Emotions I to III series, hundreds of individual sheets were created in DINA3 format. As with the drawings in the Emotions series, the blank white sheet is first covered with a layer of varnish. In the second or sometimes third pass, following a spontaneous inspiration, lines, surfaces or streaks are applied with the brush. Even if it may not always be successful, at least an attempt is made to bring the sheet into a state of suspension between finished and unfinished. This condition may or may not cause others to further edit the image. Participation begins with the decision to leave the drawing in its original state or to change it. What the recipient is never allowed to do in most cases of art appreciation becomes an option in these works, which could even lead to destruction or extinction.<\/p>\n\n\n\n

\ucc38\uc5ec „\ub2f9\uc2e0\uc774 \uc644\uc131\ud569\ub2c8\ub2e4“<\/p>\n\n\n\n

DIN A3 \uc2dc\ud2b8 \uc2dc\ub9ac\uc988, \uc885\uc774 \uc704\uc5d0 \ubc14\ub2c8\uc2dc 2020-21<\/p>\n\n\n\n

\uac10\uc815 (Emotions) I\uc5d0\uc11c III \uc2dc\ub9ac\uc988\uc640 \ubcd1\ud589\ud558\uc5ec \uc218\ubc31 \uc7a5\uc758 \uac1c\ubcc4 \uc2dc\ud2b8\uac00 DINA3 \ud615\uc2dd\uc73c\ub85c \uc81c\uc791\ub418\uc5c8\uc2b5\ub2c8\ub2e4. \uac10\uc815(Emotions) \uc2dc\ub9ac\uc988\uc758 \uadf8\ub9bc\uacfc \ub9c8\ucc2c\uac00\uc9c0\ub85c \uba3c\uc800 \ud770\uc0c9\uc758 \ubbf8\uc644\uc131 \uc2dc\ud2b8\ub294 \ubc14\ub2c8\uc2dc \uce35\uc73c\ub85c \ub36e\uc5ec \uc788\uc2b5\ub2c8\ub2e4. \uc989\ud765\uc801\uc778 \uc601\uac10\uc5d0 \ub530\ub77c \ubd93\uc73c\ub85c \ub450 \ubc88\uc9f8, \ub54c\ub85c\ub294 \uc138 \ubc88\uc9f8 \uc2dc\ud2b8\uc5d0 \uc120, \uba74 \ub610\ub294 \uc904\ubb34\ub2ac\ub97c \uadf8\ub9bd\ub2c8\ub2e4. \ube44\ub85d \ud56d\uc0c1 \uc644\uc131\uc801\uc774\uc9c0 \uc54a\ub354\ub77c\ub3c4 \uadf8 \ud589\uc704\ub294 \uc801\uc5b4\ub3c4 \uc644\uc131\ub41c \uac83\uacfc \ubd88\uc644\uc804\ud55c \uac83 \uc0ac\uc774\uc758 \uade0\ud615\uc744 \ub9de\ucd94\uae30 \uc704\ud55c \uc2dc\ub3c4\uc785\ub2c8\ub2e4. \uc774 \uc0c1\ud0dc\ub85c \uc778\ud574 \ub2e4\ub978 \uc0ac\ub78c\uc774 \uc774\ubbf8\uc9c0\ub97c \ucd94\uac00\ub85c \ud3b8\uc9d1\ud560 \uc218\ub3c4 \uc788\uace0 \uadf8\ub807\uc9c0 \uc54a\uc744 \uc218\ub3c4 \uc788\uc2b5\ub2c8\ub2e4. \ucc38\uc5ec\ub294 \uadf8\ub9bc\uc744 \uc6d0\ub798 \uc0c1\ud0dc\ub85c \ub458\uc9c0 \ud639\uc740 \ubcc0\uacbd \ud560\uc9c0\ub97c \uacb0\uc815\ud558\ub294 \uac83\uc73c\ub85c \uc2dc\uc791\ub429\ub2c8\ub2e4. \ub300\ubd80\ubd84\uc758 \uacbd\uc6b0 \uc608\uc220 \uac10\uc0c1\uc5d0\uc11c \uacb0\ucf54 \ud5c8\uc6a9\ub418\uc9c0 \uc54a\ub294 \ud589\uc704\uac00 \uc774 \uc791\ud488\uc5d0\uc11c\ub294 \uc120\ud0dd\uc0ac\ud56d\uc774 \ub418\uba70, \uc2ec\uc9c0\uc5b4 \uc774\ub294 \uc791\ud488\uc758 \ud6fc\uc190\uc774\ub098 \ud30c\uad34\ub85c \uc774\uc5b4\uc9c8 \uc218\ub3c4 \uc788\uc2b5\ub2c8\ub2e4.<\/p>\n\n\n\n

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\"\"<\/figure>\n<\/div>\n<\/div>\n\n\n\n

Partizipation – „You Finish It“<\/strong>, Installationsansicht, Changwon Art Hall, 2023<\/p>\n\n\n\n

\"\"<\/figure>","protected":false},"excerpt":{"rendered":"

Meeting with Correspondence Changwon Seongsan Art Hall, Changwon, Republic of Korea 18. Oktober 2023 bis 23. Oktober 2023 \u00dcberfluss Seit vielen Jahren fotografiert Michael D\u00f6rner auf seinen Reisen sich \u00fcberf\u00fcllende M\u00fclleimer, Abfallbeh\u00e4lter oder auf der Stra\u00dfe abgelegte M\u00fclls\u00e4cke. Wie stille Zeugen einer sich ihrem Handeln nicht mehr bewussten Gesellschaft, sind diese Fotos Abbildungen von unfreiwilligen … Continue reading „Korea-Germany Contemporary Art Exchange Exhibition“<\/span><\/a><\/p>","protected":false},"author":1,"featured_media":1011,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12,5],"tags":[75,79,15,33,80,70,81],"class_list":["post-995","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-einladungen","category-installationen","tag-75","tag-changwon","tag-featured","tag-installation","tag-korea","tag-participation","tag-ueberfluss","has-thumbnail"],"_links":{"self":[{"href":"https:\/\/michaeldoerner.de\/en\/wp-json\/wp\/v2\/posts\/995","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/michaeldoerner.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/michaeldoerner.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/michaeldoerner.de\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/michaeldoerner.de\/en\/wp-json\/wp\/v2\/comments?post=995"}],"version-history":[{"count":9,"href":"https:\/\/michaeldoerner.de\/en\/wp-json\/wp\/v2\/posts\/995\/revisions"}],"predecessor-version":[{"id":1015,"href":"https:\/\/michaeldoerner.de\/en\/wp-json\/wp\/v2\/posts\/995\/revisions\/1015"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/michaeldoerner.de\/en\/wp-json\/wp\/v2\/media\/1011"}],"wp:attachment":[{"href":"https:\/\/michaeldoerner.de\/en\/wp-json\/wp\/v2\/media?parent=995"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/michaeldoerner.de\/en\/wp-json\/wp\/v2\/categories?post=995"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/michaeldoerner.de\/en\/wp-json\/wp\/v2\/tags?post=995"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}